Courses

Please consult the online course catalog for cross-listed courses and full course information.

The courses listed below are provided by Student Information Services (SIS). This listing provides a snapshot of immediately available courses within this department and may not be complete. Course registration information can be found at https://sis.jhu.edu/classes.

Column one has the course number and section. Other columns show the course title, days offered, instructor's name, room number, if the course is cross-referenced with another program, and a option to view additional course information in a pop-up window.

Introduction to Screenwriting
AS.061.205 (01)

In this course we will explore the basic principles of visual storytelling in narrative film as they apply to the design, creation, and revision of the screenplay. Specifically, we will focus on learning the craft of screenwriting — strategies, processes, and philosophies that writers can develop, practice, and rely upon as they progress through a series of screenwriting exercises and write three short screenplays, which will be critiqued in-class during weekly table reads and with the Instructor (one-on-one) during office hours. Select professional screenplays will be read and analyzed — and clips from select films viewed — to further explore what works well on the page, and how it translates to working well onscreen. Final Draft screenwriting software is required; a FREE 18-week trial will be made available for all students who don’t already have Final Draft.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: Th 3:00PM - 5:50PM
  • Instructor: Rodgers, Adam F
  • Room:  
  • Status: Approval Required
  • Seats Available: 4/12
  • PosTag(s): FILM-SCRWRT

Podcasting: Critical and Creative Practice
AS.061.303 (01)

In this critical studies course with a creative component, students will learn about the history and cultural significance of podcasting, develop tools for critically listening to and analyzing podcasts, and learn how to research, write for, and produce podcasts. Examples will come from a broad sample of narrative, documentary, interview, and discussion-based podcasts. While no formal training in audio production is necessary to take the course, students will be expected to learn the necessary skills to create their own podcasts. In-class demonstrations of microphones, editing software, and approaches to sound design will be offered, and students are encouraged to take advantage of office hours for further help with audio production.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: M 10:00AM - 12:20PM
  • Instructor: Stine, Kyle J.
  • Room:  
  • Status: Waitlist Only
  • Seats Available: 0/13
  • PosTag(s): FILM-CRITST

Dante's Journey through the Afterlife
AS.211.479 (01)

Dante's Divine Comedy presents a complete picture of the medieval world-view in all its aspects: physical (the structure of the cosmos), historical (the major actors from Adam to Dante himself) and moral (a complete system of right and wrong). Dante shows how the Christian religion portrayed itself, other religions, the nature of God, humans, angels and devils, and human society. We will explore these topics both from the viewpoint of Dante's own time, and in terms of its relevance to our own societal and cultural concerns.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: TTh 3:00PM - 4:15PM
  • Instructor: Stephens, Walter E
  • Room:  
  • Status: Open
  • Seats Available: 17/20
  • PosTag(s): n/a

Dante's Journey through the Afterlife
AS.211.479 (02)

Dante's Divine Comedy presents a complete picture of the medieval world-view in all its aspects: physical (the structure of the cosmos), historical (the major actors from Adam to Dante himself) and moral (a complete system of right and wrong). Dante shows how the Christian religion portrayed itself, other religions, the nature of God, humans, angels and devils, and human society. We will explore these topics both from the viewpoint of Dante's own time, and in terms of its relevance to our own societal and cultural concerns.

  • Credits: 4.00
  • Level: Upper Level Undergraduate
  • Days/Times: TTh 3:00PM - 4:15PM
  • Instructor: Stephens, Walter E
  • Room:  
  • Status: Open
  • Seats Available: 3/5
  • PosTag(s): n/a

Introduction to Fiction & Poetry I
AS.220.105 (01)

An introduction to basic strategies in the writing of poetry and fiction, with readings by Joyce, Woolf, Baldwin, Munro, Garcia Marquez, Donne, Bishop, Yeats, Komunyakaa, Tretheway, and others. Students will learn the elements of the short story and try their hand at a variety of forms: realist, fantastical, experimental. They’ll also study the basic poetic forms and meters, from the ballad to the sonnet, iambic pentameter to free verse. Students will compose short stories and poems and workshop them in class. This course is a prerequisite for most upper level courses. This course is part one of the year-long Introduction to Fiction and Poetry, and must be taken before AS.220.106.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: MWF 10:00AM - 10:50AM
  • Instructor: Raszick, Landen Blaine
  • Room:  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry I
AS.220.105 (02)

An introduction to basic strategies in the writing of poetry and fiction, with readings by Joyce, Woolf, Baldwin, Munro, Garcia Marquez, Donne, Bishop, Yeats, Komunyakaa, Tretheway, and others. Students will learn the elements of the short story and try their hand at a variety of forms: realist, fantastical, experimental. They’ll also study the basic poetic forms and meters, from the ballad to the sonnet, iambic pentameter to free verse. Students will compose short stories and poems and workshop them in class. This course is a prerequisite for most upper level courses. This course is part one of the year-long Introduction to Fiction and Poetry, and must be taken before AS.220.106.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: MWF 10:00AM - 10:50AM
  • Instructor: Ugwueze, Kosisochukwu Sybil
  • Room:  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry I
AS.220.105 (03)

An introduction to basic strategies in the writing of poetry and fiction, with readings by Joyce, Woolf, Baldwin, Munro, Garcia Marquez, Donne, Bishop, Yeats, Komunyakaa, Tretheway, and others. Students will learn the elements of the short story and try their hand at a variety of forms: realist, fantastical, experimental. They’ll also study the basic poetic forms and meters, from the ballad to the sonnet, iambic pentameter to free verse. Students will compose short stories and poems and workshop them in class. This course is a prerequisite for most upper level courses. This course is part one of the year-long Introduction to Fiction and Poetry, and must be taken before AS.220.106.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: MWF 11:00AM - 11:50AM
  • Instructor: Fee, Gabriella M
  • Room:  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry I
AS.220.105 (04)

An introduction to basic strategies in the writing of poetry and fiction, with readings by Joyce, Woolf, Baldwin, Munro, Garcia Marquez, Donne, Bishop, Yeats, Komunyakaa, Tretheway, and others. Students will learn the elements of the short story and try their hand at a variety of forms: realist, fantastical, experimental. They’ll also study the basic poetic forms and meters, from the ballad to the sonnet, iambic pentameter to free verse. Students will compose short stories and poems and workshop them in class. This course is a prerequisite for most upper level courses. This course is part one of the year-long Introduction to Fiction and Poetry, and must be taken before AS.220.106.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: MWF 11:00AM - 11:50AM
  • Instructor: Brown, Davien Allen
  • Room: Gilman 132
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry I
AS.220.105 (05)

An introduction to basic strategies in the writing of poetry and fiction, with readings by Joyce, Woolf, Baldwin, Munro, Garcia Marquez, Donne, Bishop, Yeats, Komunyakaa, Tretheway, and others. Students will learn the elements of the short story and try their hand at a variety of forms: realist, fantastical, experimental. They’ll also study the basic poetic forms and meters, from the ballad to the sonnet, iambic pentameter to free verse. Students will compose short stories and poems and workshop them in class. This course is a prerequisite for most upper level courses. This course is part one of the year-long Introduction to Fiction and Poetry, and must be taken before AS.220.106.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: MWF 11:00AM - 11:50AM
  • Instructor: Emmons, Eric Dayton
  • Room:  
  • Status: Open
  • Seats Available: 2/16
  • PosTag(s): n/a

Introduction to Fiction & Poetry I
AS.220.105 (06)

An introduction to basic strategies in the writing of poetry and fiction, with readings by Joyce, Woolf, Baldwin, Munro, Garcia Marquez, Donne, Bishop, Yeats, Komunyakaa, Tretheway, and others. Students will learn the elements of the short story and try their hand at a variety of forms: realist, fantastical, experimental. They’ll also study the basic poetic forms and meters, from the ballad to the sonnet, iambic pentameter to free verse. Students will compose short stories and poems and workshop them in class. This course is a prerequisite for most upper level courses. This course is part one of the year-long Introduction to Fiction and Poetry, and must be taken before AS.220.106.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: MWF 11:00AM - 11:50AM
  • Instructor: Neugebauer, Samantha Elizabeth
  • Room:  
  • Status: Open
  • Seats Available: 10/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry I
AS.220.105 (07)

An introduction to basic strategies in the writing of poetry and fiction, with readings by Joyce, Woolf, Baldwin, Munro, Garcia Marquez, Donne, Bishop, Yeats, Komunyakaa, Tretheway, and others. Students will learn the elements of the short story and try their hand at a variety of forms: realist, fantastical, experimental. They’ll also study the basic poetic forms and meters, from the ballad to the sonnet, iambic pentameter to free verse. Students will compose short stories and poems and workshop them in class. This course is a prerequisite for most upper level courses. This course is part one of the year-long Introduction to Fiction and Poetry, and must be taken before AS.220.106.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: MWF 12:00PM - 12:50PM
  • Instructor: Hupp, Spencer Martin
  • Room:  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry I
AS.220.105 (08)

An introduction to basic strategies in the writing of poetry and fiction, with readings by Joyce, Woolf, Baldwin, Munro, Garcia Marquez, Donne, Bishop, Yeats, Komunyakaa, Tretheway, and others. Students will learn the elements of the short story and try their hand at a variety of forms: realist, fantastical, experimental. They’ll also study the basic poetic forms and meters, from the ballad to the sonnet, iambic pentameter to free verse. Students will compose short stories and poems and workshop them in class. This course is a prerequisite for most upper level courses. This course is part one of the year-long Introduction to Fiction and Poetry, and must be taken before AS.220.106.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: MWF 12:00PM - 12:50PM
  • Instructor: Guida, Dominic Michael
  • Room:  
  • Status: Open
  • Seats Available: 8/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry I
AS.220.105 (09)

An introduction to basic strategies in the writing of poetry and fiction, with readings by Joyce, Woolf, Baldwin, Munro, Garcia Marquez, Donne, Bishop, Yeats, Komunyakaa, Tretheway, and others. Students will learn the elements of the short story and try their hand at a variety of forms: realist, fantastical, experimental. They’ll also study the basic poetic forms and meters, from the ballad to the sonnet, iambic pentameter to free verse. Students will compose short stories and poems and workshop them in class. This course is a prerequisite for most upper level courses. This course is part one of the year-long Introduction to Fiction and Poetry, and must be taken before AS.220.106.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: TTh 10:30AM - 11:45AM
  • Instructor: Starr, Marlo
  • Room:  
  • Status: Open
  • Seats Available: 5/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry I
AS.220.105 (10)

An introduction to basic strategies in the writing of poetry and fiction, with readings by Joyce, Woolf, Baldwin, Munro, Garcia Marquez, Donne, Bishop, Yeats, Komunyakaa, Tretheway, and others. Students will learn the elements of the short story and try their hand at a variety of forms: realist, fantastical, experimental. They’ll also study the basic poetic forms and meters, from the ballad to the sonnet, iambic pentameter to free verse. Students will compose short stories and poems and workshop them in class. This course is a prerequisite for most upper level courses. This course is part one of the year-long Introduction to Fiction and Poetry, and must be taken before AS.220.106.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: TTh 10:30AM - 11:45AM
  • Instructor: Scalise, Gregory J
  • Room:  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry I
AS.220.105 (11)

An introduction to basic strategies in the writing of poetry and fiction, with readings by Joyce, Woolf, Baldwin, Munro, Garcia Marquez, Donne, Bishop, Yeats, Komunyakaa, Tretheway, and others. Students will learn the elements of the short story and try their hand at a variety of forms: realist, fantastical, experimental. They’ll also study the basic poetic forms and meters, from the ballad to the sonnet, iambic pentameter to free verse. Students will compose short stories and poems and workshop them in class. This course is a prerequisite for most upper level courses. This course is part one of the year-long Introduction to Fiction and Poetry, and must be taken before AS.220.106.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: TTh 10:30AM - 11:45AM
  • Instructor: Dries, Emma D
  • Room:  
  • Status: Open
  • Seats Available: 2/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry I
AS.220.105 (12)

An introduction to basic strategies in the writing of poetry and fiction, with readings by Joyce, Woolf, Baldwin, Munro, Garcia Marquez, Donne, Bishop, Yeats, Komunyakaa, Tretheway, and others. Students will learn the elements of the short story and try their hand at a variety of forms: realist, fantastical, experimental. They’ll also study the basic poetic forms and meters, from the ballad to the sonnet, iambic pentameter to free verse. Students will compose short stories and poems and workshop them in class. This course is a prerequisite for most upper level courses. This course is part one of the year-long Introduction to Fiction and Poetry, and must be taken before AS.220.106.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: TTh 10:30AM - 11:45AM
  • Instructor: Ullmann, Stephanie M
  • Room:  
  • Status: Open
  • Seats Available: 4/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry I
AS.220.105 (13)

An introduction to basic strategies in the writing of poetry and fiction, with readings by Joyce, Woolf, Baldwin, Munro, Garcia Marquez, Donne, Bishop, Yeats, Komunyakaa, Tretheway, and others. Students will learn the elements of the short story and try their hand at a variety of forms: realist, fantastical, experimental. They’ll also study the basic poetic forms and meters, from the ballad to the sonnet, iambic pentameter to free verse. Students will compose short stories and poems and workshop them in class. This course is a prerequisite for most upper level courses. This course is part one of the year-long Introduction to Fiction and Poetry, and must be taken before AS.220.106.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: TTh 12:00PM - 1:15PM
  • Instructor: Starr, Marlo
  • Room:  
  • Status: Waitlist Only
  • Seats Available: 1/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry I
AS.220.105 (14)

An introduction to basic strategies in the writing of poetry and fiction, with readings by Joyce, Woolf, Baldwin, Munro, Garcia Marquez, Donne, Bishop, Yeats, Komunyakaa, Tretheway, and others. Students will learn the elements of the short story and try their hand at a variety of forms: realist, fantastical, experimental. They’ll also study the basic poetic forms and meters, from the ballad to the sonnet, iambic pentameter to free verse. Students will compose short stories and poems and workshop them in class. This course is a prerequisite for most upper level courses. This course is part one of the year-long Introduction to Fiction and Poetry, and must be taken before AS.220.106.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: TTh 12:00PM - 1:15PM
  • Instructor: Scalise, Gregory J
  • Room:  
  • Status: Waitlist Only
  • Seats Available: 1/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry I
AS.220.105 (15)

An introduction to basic strategies in the writing of poetry and fiction, with readings by Joyce, Woolf, Baldwin, Munro, Garcia Marquez, Donne, Bishop, Yeats, Komunyakaa, Tretheway, and others. Students will learn the elements of the short story and try their hand at a variety of forms: realist, fantastical, experimental. They’ll also study the basic poetic forms and meters, from the ballad to the sonnet, iambic pentameter to free verse. Students will compose short stories and poems and workshop them in class. This course is a prerequisite for most upper level courses. This course is part one of the year-long Introduction to Fiction and Poetry, and must be taken before AS.220.106.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: TTh 12:00PM - 1:15PM
  • Instructor: Dries, Emma D
  • Room:  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry I
AS.220.105 (16)

An introduction to basic strategies in the writing of poetry and fiction, with readings by Joyce, Woolf, Baldwin, Munro, Garcia Marquez, Donne, Bishop, Yeats, Komunyakaa, Tretheway, and others. Students will learn the elements of the short story and try their hand at a variety of forms: realist, fantastical, experimental. They’ll also study the basic poetic forms and meters, from the ballad to the sonnet, iambic pentameter to free verse. Students will compose short stories and poems and workshop them in class. This course is a prerequisite for most upper level courses. This course is part one of the year-long Introduction to Fiction and Poetry, and must be taken before AS.220.106.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: TTh 12:00PM - 1:15PM
  • Instructor: Ullmann, Stephanie M
  • Room:  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry II
AS.220.106 (01)

The second half of IFP, this course delves deeper into the finer points of fiction writing, including tone, description, and point of view; students will also enrich their knowledge of poetic forms and devices, such as figurative language, verse rhythm, and the poetic line. Readings include work by Paley, Mahfouz, Calvino, Lessing, Richard Wright, Plath, Rich, Auden, Li-Young Lee, and others. Students will write and workshop their own stories and poems, and complete a final portfolio. This course is a prerequisite for most upper level courses.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: MWF 10:00AM - 10:50AM
  • Instructor: Fallis, Lewis B
  • Room:  
  • Status: Open
  • Seats Available: 4/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry II
AS.220.106 (02)

The second half of IFP, this course delves deeper into the finer points of fiction writing, including tone, description, and point of view; students will also enrich their knowledge of poetic forms and devices, such as figurative language, verse rhythm, and the poetic line. Readings include work by Paley, Mahfouz, Calvino, Lessing, Richard Wright, Plath, Rich, Auden, Li-Young Lee, and others. Students will write and workshop their own stories and poems, and complete a final portfolio. This course is a prerequisite for most upper level courses.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: MWF 10:00AM - 10:50AM
  • Instructor: Robinson, Megan L
  • Room:  
  • Status: Open
  • Seats Available: 3/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry II
AS.220.106 (03)

The second half of IFP, this course delves deeper into the finer points of fiction writing, including tone, description, and point of view; students will also enrich their knowledge of poetic forms and devices, such as figurative language, verse rhythm, and the poetic line. Readings include work by Paley, Mahfouz, Calvino, Lessing, Richard Wright, Plath, Rich, Auden, Li-Young Lee, and others. Students will write and workshop their own stories and poems, and complete a final portfolio. This course is a prerequisite for most upper level courses.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: MWF 11:00AM - 11:50AM
  • Instructor: Fallis, Lewis B
  • Room:  
  • Status: Open
  • Seats Available: 5/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry II
AS.220.106 (04)

The second half of IFP, this course delves deeper into the finer points of fiction writing, including tone, description, and point of view; students will also enrich their knowledge of poetic forms and devices, such as figurative language, verse rhythm, and the poetic line. Readings include work by Paley, Mahfouz, Calvino, Lessing, Richard Wright, Plath, Rich, Auden, Li-Young Lee, and others. Students will write and workshop their own stories and poems, and complete a final portfolio. This course is a prerequisite for most upper level courses.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: MWF 11:00AM - 11:50AM
  • Instructor: Leary, Samuel Jeffrey
  • Room:  
  • Status: Open
  • Seats Available: 6/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry II
AS.220.106 (05)

The second half of IFP, this course delves deeper into the finer points of fiction writing, including tone, description, and point of view; students will also enrich their knowledge of poetic forms and devices, such as figurative language, verse rhythm, and the poetic line. Readings include work by Paley, Mahfouz, Calvino, Lessing, Richard Wright, Plath, Rich, Auden, Li-Young Lee, and others. Students will write and workshop their own stories and poems, and complete a final portfolio. This course is a prerequisite for most upper level courses.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: MWF 12:00PM - 12:50PM
  • Instructor: Duffy, Daniel Joseph
  • Room:  
  • Status: Open
  • Seats Available: 1/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry II
AS.220.106 (06)

The second half of IFP, this course delves deeper into the finer points of fiction writing, including tone, description, and point of view; students will also enrich their knowledge of poetic forms and devices, such as figurative language, verse rhythm, and the poetic line. Readings include work by Paley, Mahfouz, Calvino, Lessing, Richard Wright, Plath, Rich, Auden, Li-Young Lee, and others. Students will write and workshop their own stories and poems, and complete a final portfolio. This course is a prerequisite for most upper level courses.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: TTh 10:30AM - 11:45AM
  • Instructor: Blansett, Nathan Michael
  • Room:  
  • Status: Open
  • Seats Available: 6/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry II
AS.220.106 (07)

The second half of IFP, this course delves deeper into the finer points of fiction writing, including tone, description, and point of view; students will also enrich their knowledge of poetic forms and devices, such as figurative language, verse rhythm, and the poetic line. Readings include work by Paley, Mahfouz, Calvino, Lessing, Richard Wright, Plath, Rich, Auden, Li-Young Lee, and others. Students will write and workshop their own stories and poems, and complete a final portfolio. This course is a prerequisite for most upper level courses.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: TTh 10:30AM - 11:45AM
  • Instructor: Bogdonoff, Emma Z
  • Room:  
  • Status: Open
  • Seats Available: 4/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry II
AS.220.106 (08)

The second half of IFP, this course delves deeper into the finer points of fiction writing, including tone, description, and point of view; students will also enrich their knowledge of poetic forms and devices, such as figurative language, verse rhythm, and the poetic line. Readings include work by Paley, Mahfouz, Calvino, Lessing, Richard Wright, Plath, Rich, Auden, Li-Young Lee, and others. Students will write and workshop their own stories and poems, and complete a final portfolio. This course is a prerequisite for most upper level courses.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: TTh 10:30AM - 11:45AM
  • Instructor: Keleher, Kate Lauren
  • Room:  
  • Status: Open
  • Seats Available: 5/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry II
AS.220.106 (09)

The second half of IFP, this course delves deeper into the finer points of fiction writing, including tone, description, and point of view; students will also enrich their knowledge of poetic forms and devices, such as figurative language, verse rhythm, and the poetic line. Readings include work by Paley, Mahfouz, Calvino, Lessing, Richard Wright, Plath, Rich, Auden, Li-Young Lee, and others. Students will write and workshop their own stories and poems, and complete a final portfolio. This course is a prerequisite for most upper level courses.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: TTh 12:00PM - 1:15PM
  • Instructor: Fetter, Journey
  • Room:  
  • Status: Open
  • Seats Available: 1/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry II
AS.220.106 (10)

The second half of IFP, this course delves deeper into the finer points of fiction writing, including tone, description, and point of view; students will also enrich their knowledge of poetic forms and devices, such as figurative language, verse rhythm, and the poetic line. Readings include work by Paley, Mahfouz, Calvino, Lessing, Richard Wright, Plath, Rich, Auden, Li-Young Lee, and others. Students will write and workshop their own stories and poems, and complete a final portfolio. This course is a prerequisite for most upper level courses.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: TTh 12:00PM - 1:15PM
  • Instructor: Bogdonoff, Emma Z
  • Room:  
  • Status: Open
  • Seats Available: 1/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry II
AS.220.106 (11)

The second half of IFP, this course delves deeper into the finer points of fiction writing, including tone, description, and point of view; students will also enrich their knowledge of poetic forms and devices, such as figurative language, verse rhythm, and the poetic line. Readings include work by Paley, Mahfouz, Calvino, Lessing, Richard Wright, Plath, Rich, Auden, Li-Young Lee, and others. Students will write and workshop their own stories and poems, and complete a final portfolio. This course is a prerequisite for most upper level courses.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: TTh 12:00PM - 1:15PM
  • Instructor: Kessler, Brett C
  • Room:  
  • Status: Open
  • Seats Available: 7/15
  • PosTag(s): n/a

Introduction to Fiction & Nonfiction
AS.220.108 (01)

A course in realist fiction and nonfiction, with readings by Eudora Welty, Vladimir Nabokov, Henry James; George Orwell, Beryl Markham and Truman Capote. Students compose short stories and essays with attention to literary models. AS.220.108 can be substituted for AS.220.105.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: T 6:00PM - 8:30PM
  • Instructor: Cavanaugh-Simpson, Joanne
  • Room:  
  • Status: Waitlist Only
  • Seats Available: 0/17
  • PosTag(s): n/a

The Craft of Fiction: Conflict and Dramatic Tension
AS.220.200 (01)

“[I]n literature, only trouble is interesting,” Janet Burroway says in Writing Fiction. Conflict is often referred to as the heart or the engine of a story: in this workshop-centered course, we’ll investigate conflict within short fiction, giving attention to all its related components, such as narrative structure, pacing, character development, and dialogue. Both in workshop and in our weekly discussions of assigned readings, we’ll always return to the question of how a story provokes readers’ sense of anticipation and keeps readers engaged. This course builds upon the material covered in the Introduction to Fiction and Poetry course sequence and will prepare students for further study at the Intermediate and Advanced levels. Course readings include diverse and contemporary authors such as Han Kang, Z.Z. Packer, Carmen Maria Machado, Haruki Murakami, George Saunders, and Curtis Sittenfeld.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: M 1:30PM - 4:00PM
  • Instructor: Robinson, Shannon L
  • Room:  
  • Status: Open
  • Seats Available: 7/15
  • PosTag(s): WRIT-FICT

The Craft of Fiction: Character and Consequence
AS.220.200 (02)

Character and plot are inextricably bound in fiction: events reveal character at the same time that character affects the story’s events. In this workshop-intensive class, we’ll look at how how elements such as dialogue, point of view, and action work together to create complex characters. Over the course of the semester, students will write and workshop two stories, as well as turning in a revision. We’ll study character in a range of published fiction: minimalist and maximalist, realistic and speculative, classic and contemporary. This class builds on the foundation of IFP I and II and will prepare students for work in upper-level fiction classes.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: T 1:30PM - 4:00PM
  • Instructor: Noel, Katharine
  • Room:  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): WRIT-FICT

The Craft of Poetry: Wit and Delivery
AS.220.201 (01)

In Wit and Delivery, we will look at historical and contemporary poetic models with a particular eye and ear toward what makes really memorable, trenchant lines. You will have eleven assignments with specific examples to work from that get more challenging as the semester progresses.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: M 3:00PM - 5:30PM
  • Instructor: Williamson, Greg W
  • Room:  
  • Status: Open
  • Seats Available: 2/15
  • PosTag(s): WRIT-POET

The Craft of Poetry: Poems that Persuade
AS.220.201 (02)

Anyone who’s taken a writing workshop has heard the advice to show, and not tell. Early-career poets often are taught to avoid didacticism—taught, in other words, to suggest, rather than persuade. At the same time, direct language can be powerful. Especially during times of crisis, we’re hungry for poems that speak the truth without equivocation. In this course, we will look at how at these two impulses—the impulse to suggest, and the impulse to persuade—can operate in tandem, sometimes within a single poem. Our reading list will be drawn from a diverse range of contemporary and non-contemporary writers. Students will have many opportunities to write.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: Th 1:30PM - 4:00PM
  • Instructor: Arthur, James P
  • Room:  
  • Status: Open
  • Seats Available: 1/15
  • PosTag(s): WRIT-POET

Reading Korean Literature in Translation: A Survey
AS.220.220 (01)

An introduction for students unfamiliar with the Korean language but interested in Korean culture / literature. Students will read a variety of translated texts, especially of works written in the 20th and early 21st centuries by authors including Kim Tong-in, Hwang Sun-wŏn, Pak Wansŏ, Hwang Sŏk-yŏng and Han Kang; there will also be classes on traditional sijo poetry. Students will become familiar with Korean literary genres and formal features, and develop a broad understanding of the historical and sociocultural context of Korean literature.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: W 1:30PM - 4:00PM
  • Instructor: Kim, Kyeong-soo
  • Room:  
  • Status: Open
  • Seats Available: 3/15
  • PosTag(s): WRIT-FICT

Line and Lineage: Poems in Time
AS.220.346 (01)

A poem exists in time—both in the historical moment in which it is written, and in its movement from line to line. In this seminar, students will build their knowledge of the history of the poetic line in English, up to the present day. Assignments will include both short critical essays and creative exercises.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: W 1:30PM - 4:00PM
  • Instructor: Salter, Mary Jo
  • Room:  
  • Status: Open
  • Seats Available: 11/15
  • PosTag(s): WRIT-POET

Creative Nonfiction Workshop: The Personal and the Public
AS.220.348 (01)

In this workshop, students will study a variety of creative nonfiction essays and articles by a diverse group of writers including Ta-Nehisi Coates, Maggie Nelson, Roxane Gay, Alice Wong, D. Watkins, and Esmé Weijun Wang. Using the expository methods and research practices of journalists and the narrative strategies of memoirists, students will write and workshop their own creative nonfiction as we attempt to understand how the subject of an essay can be meaningfully augmented by acknowledging and even centering the author's identity and experience.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: F 3:00PM - 5:30PM
  • Instructor: Brown, Nathanael A
  • Room:  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): n/a

Intermediate Fiction: A Story's Beginnings
AS.220.356 (01)

Where does a story best begin? How does it successfully launch itself? We will look closely at a great many opening paragraphs and pages, analyzing the various strategies by which writers grab and hold a reader's interest. Most of the reading will be short fiction, drawn from various countries and languages.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: W 1:30PM - 4:00PM
  • Instructor: Leithauser, Brad
  • Room:  
  • Status: Open
  • Seats Available: 12/15
  • PosTag(s): WRIT-FICT

Contemporary Poetic Forms
AS.220.378 (01)

In Contemporary Poetic Forms, we will look at exciting, mostly younger poets writing in a wide array of metrical forms. From Anthony Hecht to Erica Dawson, you will read a book a week and write eleven poems, and the assignments will be keyed but not beholden to those challenging authors.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: T 3:00PM - 5:30PM
  • Instructor: Williamson, Greg W
  • Room:  
  • Status: Open
  • Seats Available: 2/15
  • PosTag(s): WRIT-POET

Intermediate Fiction: Place, Setting, and Landscape
AS.220.394 (01)

This course is primarily a workshop; students will each write and workshop two short stories. Additional shorter writing assignments will focus on writing about places, both real and imagined. We will think about the work of description at the sentence level, but also about the relationship between place, character and memory. We’ll read work by writers who are known for their ability to evoke or capture in detail a particular setting, potentially including work by Edward P. Jones, Zadie Smith, Eudora Welty, Annie Dillard, Grace Paley, Victor Lavalle, Viet Than Nguyen, and Joan Didion.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: F 1:30PM - 4:00PM
  • Instructor: Evans, Danielle V
  • Room:  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): WRIT-FICT

Advanced Poetry Workshop: Who Am I? Identity in Contemporary American Poetry
AS.220.400 (01)

The course will Workshop the original work of participants, while also looking at a wide range of contemporary American poets and examining the ways they address themes of personal, racial and cultural identity against the backdrop of contemporary politics. Among the writers to be discussed are: Natalie Diaz, Terrence Hayes, Cathy Park Hong, Charles Simic, and Claudia Rankine.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: M 1:30PM - 4:00PM
  • Instructor: Motion, Andrew P
  • Room:  
  • Status: Open
  • Seats Available: 4/15
  • PosTag(s): WRIT-POET

Advanced Fiction Workshop: Considering Contemporary Aesthetics
AS.220.401 (01)

Students will write and workshop two short stories and one work of flash fiction. In addition, students will read and write a short critical paper on one story collection of their own choice, selected from a list of options published in the last ten years. We will combine these reading selections into a syllabus with one story from each chosen book, creating a brief survey of the contemporary fiction landscape, and giving students a chance to consider their own aesthetic interests and motivations, in both reading discussions and portfolio work.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: Th 3:00PM - 5:30PM
  • Instructor: Evans, Danielle V
  • Room:  
  • Status: Open
  • Seats Available: 8/15
  • PosTag(s): WRIT-FICT

Advanced Fiction Workshop: Taking Risks
AS.220.401 (02)

In this class, we’ll look beyond basic elements of craft and address issues of concern for the more experienced writer. How do we avoid cliché? Create narrative drive? Take risks with form, language, and subject matter? Each student will submit two short stories or novel excerpts for workshop, where they will be carefully critiqued by the class, as well as a revision of one of these stories or excerpts. We’ll also read short fiction by well-known contemporary writers, with an eye toward what makes these stories original, entertaining, and complex.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: W 3:00PM - 5:30PM
  • Instructor: Puchner, Roderic P
  • Room:  
  • Status: Open
  • Seats Available: 3/15
  • PosTag(s): WRIT-FICT

Science as Narrative
AS.220.424 (01)

Class reads the writings of scientists to explore what their words would have meant to them and their readers. Discussion will focus on the shifting scientific/cultural context throughout history. Authors include Aristotle, Copernicus, Galileo, Descartes, Newton, Darwin, Freud, Einstein, Heisenberg, Bohr, Crick and Watson.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: T 1:30PM - 4:00PM
  • Instructor: Panek, Richard
  • Room:  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): n/a

Creating the Poetry Chapbook
AS.220.437 (01)

Students will build on previous work in the major by completing a project of sustained length, depth, and cohesion (15 - 25 pages) in their final semester. Application only; Advanced Poetry prerequisite.

  • Credits: 3.00
  • Level:
  • Days/Times: Th 1:30PM - 4:00PM
  • Instructor: Malech, Dora Rachel
  • Room:  
  • Status: Approval Required
  • Seats Available: 11/15
  • PosTag(s): WRIT-POET

Community-Based Learning: Poetry and Social Engagement
AS.220.454 (01)

In this Community-Based Learning course, students will explore poetry of social and political concern in partnership with high-school age writers from Baltimore public schools. Students will put learning into practice by engaging in community conversation and collaboration. Participation in some events outside of class time will be required.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: M 4:00PM - 6:30PM
  • Instructor: Malech, Dora Rachel
  • Room:  
  • Status: Open
  • Seats Available: 9/15
  • PosTag(s): CSC-CE

Readings in Fiction: Experiments in Genre
AS.220.455 (01)

In this course, we'll take a look at the increasingly obsolete notion of “genre fiction” and the way that many contemporary writers are borrowing the conventions of once-frowned-upon genres, from sci-fi to horror to crime, and imbuing them with the concerns of the “literary novel” (character, language, social critique, etc.). The course will pair classics of genre fiction with more contemporary works that take the genre in surprising directions. We'll also do a fair bit of writing ourselves, experimenting with various genres. Authors might include Mary Shelley, Colson Whitehead, Philip K. Dick, Kazuo Ishiguro, Edgar Allen Poe, Carmen Machado, Raymond Chandler, Joan Didion, Zane Grey, and Charles Portis.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: M 3:00PM - 5:30PM
  • Instructor: Puchner, Roderic P
  • Room:  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): WRIT-FICT

The Long Work
AS.220.456 (01)

A course in the composition of a novella or short-story collection. Students will write and revise a thesis of 50 to 60 pages of fiction. Open to seniors by invitation.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: Th 1:30PM - 4:00PM
  • Instructor: McGarry, Jean
  • Room:  
  • Status: Approval Required
  • Seats Available: 1/10
  • PosTag(s): WRIT-FICT

Readings in Poetry: Divergencies: British Poetry Since 1945
AS.220.458 (01)

The course will workshop the original work of participants, while also looking at the major figures of immediately post-war British Poetry (Philip Larkin, Ted Hughes) and the diversification of writing that has appeared in more recent years. Among the writers to be discussed are : Simon Armitage, Mary Jean Chan, Imtiaz Dharker, Carol Ann Duffy, Sarah Howe, Linton Kwesi Johnson, Jackie Kay, Grace Nichols, Alice Oswald, Hannah Sullivan and Roger Robinson.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: T 1:30PM - 4:00PM
  • Instructor: Motion, Andrew P
  • Room:  
  • Status: Open
  • Seats Available: 12/15
  • PosTag(s): WRIT-POET

Readings in Poetry: Dramatic Poetry, Poetic Drama
AS.220.459 (01)

This course will explore the intersection of poetry and drama, from Euripides, Shakespeare, and Moliere to modern verse plays by Derek Walcott and Caryl Churchill. We’ll also look at some modern plays about poets and poetry—such as Tom Stoppard’s Arcadia and The Invention of Love and Sarah Ruhl’s Euridice. Finally, we’ll examine the poetry of prose speech in such playwrights as David Mamet and August Wilson. Students will write their own scenes in poetic drama.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: F 1:30PM - 4:00PM
  • Instructor: Salter, Mary Jo
  • Room:  
  • Status: Open
  • Seats Available: 13/15
  • PosTag(s): WRIT-POET

21st Century Female Playwrights
AS.225.318 (01)

This is a writing intensive class exploring the current wealth of women playwrights, including Pulitzer Prize winners: Wendy Wasserstein, Paula Vogel, Lynn Nottage, and Jackie Sibblies Drury (2019 Prize for FAIRVIEW). We will discuss Script Analysis and read (and see) plays by numerous writers including Claire Barron, Kia Corthron, Theresa Rebeck, Sarah Ruhl, Danai Gurira, Caleen Sinnette Jennings, and Hansol Jung. This class will include a mid-term and a Final Paper.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: TTh 3:00PM - 4:15PM
  • Instructor: Denithorne, Margaret
  • Room:  
  • Status: Waitlist Only
  • Seats Available: 0/13
  • PosTag(s): n/a

Adaptation for the Stage
AS.225.324 (01)

For aspiring playwrights, dramaturgs, and literary translators, this course is a workshop opportunity in learning to adapt both dramatic and non-dramatic works into fresh versions for the stage. Students with ability in foreign languages and literatures are encouraged to explore translation of drama as well as adaptation of foreign language fiction in English. Fiction, classical dramas, folk and fairy tales, independent interviews, or versions of plays from foreign languages are covered.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: W 3:00PM - 5:30PM
  • Instructor: Martin, Joseph H
  • Room:  
  • Status: Open
  • Seats Available: 6/10
  • PosTag(s): n/a

The Literary Archive: Women Writing for Rights
AS.365.104 (02)

What happens when a woman writer addresses questions of justice, inequity, privilege, and rights in her fiction, poetry, or journalism? Reading selected texts of the early 1900s by six North American women, we will use digitized rare books and archival materials to consider how literary artifacts and collections often express the status quo in terms of race, gender, and class; how they shape a writer’s legacy; and how we can redirect these processes.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: MW 3:00PM - 4:15PM
  • Instructor: Dean, Gabrielle L.
  • Room:  
  • Status: Open
  • Seats Available: 16/19
  • PosTag(s): n/a

Course # (Section) Title Day/Times Instructor Room PosTag(s) Info
AS.061.205 (01)Introduction to ScreenwritingTh 3:00PM - 5:50PMRodgers, Adam F FILM-SCRWRT
AS.061.303 (01)Podcasting: Critical and Creative PracticeM 10:00AM - 12:20PMStine, Kyle J. FILM-CRITST
AS.211.479 (01)Dante's Journey through the AfterlifeTTh 3:00PM - 4:15PMStephens, Walter E 
AS.211.479 (02)Dante's Journey through the AfterlifeTTh 3:00PM - 4:15PMStephens, Walter E 
AS.220.105 (01)Introduction to Fiction & Poetry IMWF 10:00AM - 10:50AMRaszick, Landen Blaine 
AS.220.105 (02)Introduction to Fiction & Poetry IMWF 10:00AM - 10:50AMUgwueze, Kosisochukwu Sybil 
AS.220.105 (03)Introduction to Fiction & Poetry IMWF 11:00AM - 11:50AMFee, Gabriella M 
AS.220.105 (04)Introduction to Fiction & Poetry IMWF 11:00AM - 11:50AMBrown, Davien AllenGilman 132
AS.220.105 (05)Introduction to Fiction & Poetry IMWF 11:00AM - 11:50AMEmmons, Eric Dayton 
AS.220.105 (06)Introduction to Fiction & Poetry IMWF 11:00AM - 11:50AMNeugebauer, Samantha Elizabeth 
AS.220.105 (07)Introduction to Fiction & Poetry IMWF 12:00PM - 12:50PMHupp, Spencer Martin 
AS.220.105 (08)Introduction to Fiction & Poetry IMWF 12:00PM - 12:50PMGuida, Dominic Michael 
AS.220.105 (09)Introduction to Fiction & Poetry ITTh 10:30AM - 11:45AMStarr, Marlo 
AS.220.105 (10)Introduction to Fiction & Poetry ITTh 10:30AM - 11:45AMScalise, Gregory J 
AS.220.105 (11)Introduction to Fiction & Poetry ITTh 10:30AM - 11:45AMDries, Emma D 
AS.220.105 (12)Introduction to Fiction & Poetry ITTh 10:30AM - 11:45AMUllmann, Stephanie M 
AS.220.105 (13)Introduction to Fiction & Poetry ITTh 12:00PM - 1:15PMStarr, Marlo 
AS.220.105 (14)Introduction to Fiction & Poetry ITTh 12:00PM - 1:15PMScalise, Gregory J 
AS.220.105 (15)Introduction to Fiction & Poetry ITTh 12:00PM - 1:15PMDries, Emma D 
AS.220.105 (16)Introduction to Fiction & Poetry ITTh 12:00PM - 1:15PMUllmann, Stephanie M 
AS.220.106 (01)Introduction to Fiction & Poetry IIMWF 10:00AM - 10:50AMFallis, Lewis B 
AS.220.106 (02)Introduction to Fiction & Poetry IIMWF 10:00AM - 10:50AMRobinson, Megan L 
AS.220.106 (03)Introduction to Fiction & Poetry IIMWF 11:00AM - 11:50AMFallis, Lewis B 
AS.220.106 (04)Introduction to Fiction & Poetry IIMWF 11:00AM - 11:50AMLeary, Samuel Jeffrey 
AS.220.106 (05)Introduction to Fiction & Poetry IIMWF 12:00PM - 12:50PMDuffy, Daniel Joseph 
AS.220.106 (06)Introduction to Fiction & Poetry IITTh 10:30AM - 11:45AMBlansett, Nathan Michael 
AS.220.106 (07)Introduction to Fiction & Poetry IITTh 10:30AM - 11:45AMBogdonoff, Emma Z 
AS.220.106 (08)Introduction to Fiction & Poetry IITTh 10:30AM - 11:45AMKeleher, Kate Lauren 
AS.220.106 (09)Introduction to Fiction & Poetry IITTh 12:00PM - 1:15PMFetter, Journey 
AS.220.106 (10)Introduction to Fiction & Poetry IITTh 12:00PM - 1:15PMBogdonoff, Emma Z 
AS.220.106 (11)Introduction to Fiction & Poetry IITTh 12:00PM - 1:15PMKessler, Brett C 
AS.220.108 (01)Introduction to Fiction & NonfictionT 6:00PM - 8:30PMCavanaugh-Simpson, Joanne 
AS.220.200 (01)The Craft of Fiction: Conflict and Dramatic TensionM 1:30PM - 4:00PMRobinson, Shannon L WRIT-FICT
AS.220.200 (02)The Craft of Fiction: Character and ConsequenceT 1:30PM - 4:00PMNoel, Katharine WRIT-FICT
AS.220.201 (01)The Craft of Poetry: Wit and DeliveryM 3:00PM - 5:30PMWilliamson, Greg W WRIT-POET
AS.220.201 (02)The Craft of Poetry: Poems that PersuadeTh 1:30PM - 4:00PMArthur, James P WRIT-POET
AS.220.220 (01)Reading Korean Literature in Translation: A SurveyW 1:30PM - 4:00PMKim, Kyeong-soo WRIT-FICT
AS.220.346 (01)Line and Lineage: Poems in TimeW 1:30PM - 4:00PMSalter, Mary Jo WRIT-POET
AS.220.348 (01)Creative Nonfiction Workshop: The Personal and the PublicF 3:00PM - 5:30PMBrown, Nathanael A 
AS.220.356 (01)Intermediate Fiction: A Story's BeginningsW 1:30PM - 4:00PMLeithauser, Brad WRIT-FICT
AS.220.378 (01)Contemporary Poetic FormsT 3:00PM - 5:30PMWilliamson, Greg W WRIT-POET
AS.220.394 (01)Intermediate Fiction: Place, Setting, and LandscapeF 1:30PM - 4:00PMEvans, Danielle V WRIT-FICT
AS.220.400 (01)Advanced Poetry Workshop: Who Am I? Identity in Contemporary American PoetryM 1:30PM - 4:00PMMotion, Andrew P WRIT-POET
AS.220.401 (01)Advanced Fiction Workshop: Considering Contemporary AestheticsTh 3:00PM - 5:30PMEvans, Danielle V WRIT-FICT
AS.220.401 (02)Advanced Fiction Workshop: Taking RisksW 3:00PM - 5:30PMPuchner, Roderic P WRIT-FICT
AS.220.424 (01)Science as NarrativeT 1:30PM - 4:00PMPanek, Richard 
AS.220.437 (01)Creating the Poetry ChapbookTh 1:30PM - 4:00PMMalech, Dora Rachel WRIT-POET
AS.220.454 (01)Community-Based Learning: Poetry and Social EngagementM 4:00PM - 6:30PMMalech, Dora Rachel CSC-CE
AS.220.455 (01)Readings in Fiction: Experiments in GenreM 3:00PM - 5:30PMPuchner, Roderic P WRIT-FICT
AS.220.456 (01)The Long WorkTh 1:30PM - 4:00PMMcGarry, Jean WRIT-FICT
AS.220.458 (01)Readings in Poetry: Divergencies: British Poetry Since 1945T 1:30PM - 4:00PMMotion, Andrew P WRIT-POET
AS.220.459 (01)Readings in Poetry: Dramatic Poetry, Poetic DramaF 1:30PM - 4:00PMSalter, Mary Jo WRIT-POET
AS.225.318 (01)21st Century Female PlaywrightsTTh 3:00PM - 4:15PMDenithorne, Margaret 
AS.225.324 (01)Adaptation for the StageW 3:00PM - 5:30PMMartin, Joseph H 
AS.365.104 (02)The Literary Archive: Women Writing for RightsMW 3:00PM - 4:15PMDean, Gabrielle L.