Courses

Please consult the online course catalog for cross-listed courses and full course information.

The courses listed below are provided by Student Information Services (SIS). This listing provides a snapshot of immediately available courses within this department and may not be complete. Course registration information can be found at https://sis.jhu.edu/classes.

Column one has the course number and section. Other columns show the course title, days offered, instructor's name, room number, if the course is cross-referenced with another program, and a option to view additional course information in a pop-up window.

Visual Storytelling
AS.061.147 (01)

This primer to screenwriting will emphasize the power of the image to deliver character, situation, and theme, and to advance even complex plots.  Students will analyze narrative films, compose their own still and moving images with cellphone cameras, and write several short dramatic pieces to be read and workshopped by the group.  They'll learn the basics of scene design and of screenplay format. For FMS majors in the screenwriting track, this course fulfills the Media and Narrative requirement . $50 lab fee.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: T 3:00PM - 5:30PM, M 7:30PM - 10:00PM Screenings
  • Instructor: Bucknell, Lucy
  • Room: Greenhouse 113 Gilman 55
  • Status: Waitlist Only
  • Seats Available: 0/9
  • PosTag(s): FILM-SCRWRT

Introduction to Screenwriting
AS.061.205 (01)

In this course we will explore the basic principles of visual storytelling in narrative film as they apply to the design, creation, and revision of the screenplay. Specifically, we will focus on learning the craft of screenwriting — strategies, processes, and philosophies that writers can develop, practice, and rely upon as they progress through a series of screenwriting exercises and write three short screenplays, which will be critiqued in-class during weekly table reads and with the Instructor (one-on-one) during office hours. Select professional screenplays will be read and analyzed — and clips from select films viewed — to further explore what works well on the page, and how it translates to working well onscreen. Final Draft screenwriting software is required; a FREE 18-week trial will be made available for all students who don’t already have Final Draft.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: Th 2:00PM - 5:00PM
  • Instructor: Rodgers, Adam F
  • Room: The Centre 206  
  • Status: Approval Required
  • Seats Available: 1/12
  • PosTag(s): FILM-SCRWRT

Intermediality: Between Word, Image, and Sound
AS.061.271 (01)

This course explores film adaptation by considering how words, images, and sounds offer different affordances and constraints for creative expression. A central goal is to conceive of adaptation outside of typical discussions of fidelity to a source work and instead consider how different artistic media open up unique opportunities for storytelling. To this end, we will draw on a number of different intermedial translations, which may include from novel to film (The Night of the Hunter, from Davis Grubb’s book to James Agee’s screenplay to Charles Laughton’s film), from short story to film (The Turin Horse), from graphic novel to film (Ghost World) or television series (HBO’s Watchmen), from personal essay to documentary film (James Baldwin’s The Devil Finds Work and I Am Not Your Negro), from poetry to film (O Brother, Where Art Thou), from play to film (A Raisin in the Sun and My Own Private Idaho), from radio drama to film (Sorry, Wrong Number), and film-to-film homage (Far From Heaven and All That Heaven Allows). We will also delve into the vagaries of film-to-book novelizations and the curious case of concurrently writing film and book, as in Stanley Kubrick and Arthur C. Clark’s collaboration on the film and novel 2001: A Space Odyssey (both adapted from a short story).

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: TTh 10:30AM - 11:45AM
  • Instructor: Stine, Kyle J.
  • Room: Smokler Center 213  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): FILM-CRITST

Podcasting: Critical and Creative Practice
AS.061.303 (01)

In this critical studies course with a creative component, students will learn about the history and cultural significance of podcasting, develop tools for critically listening to and analyzing podcasts, and learn how to research, write for, and produce podcasts. Examples will come from a broad sample of narrative, documentary, interview, and discussion-based podcasts. While no formal training in audio production is necessary to take the course, students will be expected to learn the necessary skills to create their own podcasts. In-class demonstrations of microphones, editing software, and approaches to sound design will be offered, and students are encouraged to take advantage of office hours for further help with audio production.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: M 10:00AM - 12:30PM
  • Instructor: Stine, Kyle J.
  • Room: The Centre 206  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): FILM-CRITST

The Apocalypse in Literature and Film
AS.211.444 (01)

“Everything which we loved is lost! We are in a desert” – this emotional assertion was the reaction to Kazimir Malevich’s 1915 painting The Black Square, as the artist himself recalled it. This sentiment of fearing, warning and even witnessing the end of the world as we know it, will stand at the center of the course. We will study the literary and cinematic representations of this apocalyptic notion and investigate its theoretical, theological, physiological and aesthetic aspects. We will seek to trace the narrative dynamics as well as literary and cinematic means of apocalyptic representations in works from various periods, languages, cultures and religions. Among the issues to be discussed: what is the apocalypse, biblical apocalypse, dystopia and nostalgia, trauma and post trauma, war and the apocalypse, the Holocaust as the end of civilization, the atomic bomb, realism and anti-realism, political changes and the apocalypse in popular culture.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: TTh 12:00PM - 1:15PM
  • Instructor: Stahl, Neta (Neta)
  • Room: Krieger 302  
  • Status: Open
  • Seats Available: 7/15
  • PosTag(s): n/a

The Holocaust in Israeli Society and Culture
AS.216.342 (01)

This course examines the role of the Holocaust in Israeli society and culture. We will study the emergence of the discourse on the Holocaust in Israel and its development throughout the years. Through focusing on scholarly, literary, artistic, and cinematic responses to the Holocaust, we will analyze the impact of its memory on the nation, its society, politics, and collective self. The course is divided to three general categories: Historical and Sociological Perspective, Literary Perspective, and Cinematic Perspective. However, we will study the crossroad between these three categories, and will explore them in relation to one another.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: TTh 10:30AM - 11:45AM
  • Instructor: Stahl, Neta (Neta)
  • Room:    
  • Status: Open
  • Seats Available: 11/15
  • PosTag(s): MLL-ENGL, INST-CP

Introduction to Fiction & Poetry I
AS.220.105 (01)

An introduction to basic strategies in the writing of poetry and fiction, with readings by Joyce, Woolf, Baldwin, Munro, Garcia Marquez, Donne, Bishop, Yeats, Komunyakaa, Tretheway, and others. Students will learn the elements of the short story and try their hand at a variety of forms: realist, fantastical, experimental. They’ll also study the basic poetic forms and meters, from the ballad to the sonnet, iambic pentameter to free verse. Students will compose short stories and poems and workshop them in class. This course is a prerequisite for most upper level courses. This course is part one of the year-long Introduction to Fiction and Poetry, and must be taken before AS.220.106.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: MWF 10:00AM - 10:50AM
  • Instructor: Cook, Melissa Lynn
  • Room: Ames 320  
  • Status: Waitlist Only
  • Seats Available: 1/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry I
AS.220.105 (02)

An introduction to basic strategies in the writing of poetry and fiction, with readings by Joyce, Woolf, Baldwin, Munro, Garcia Marquez, Donne, Bishop, Yeats, Komunyakaa, Tretheway, and others. Students will learn the elements of the short story and try their hand at a variety of forms: realist, fantastical, experimental. They’ll also study the basic poetic forms and meters, from the ballad to the sonnet, iambic pentameter to free verse. Students will compose short stories and poems and workshop them in class. This course is a prerequisite for most upper level courses. This course is part one of the year-long Introduction to Fiction and Poetry, and must be taken before AS.220.106.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: MWF 10:00AM - 10:50AM
  • Instructor: Gathright, Kathleen
  • Room: Krieger 308  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry I
AS.220.105 (03)

An introduction to basic strategies in the writing of poetry and fiction, with readings by Joyce, Woolf, Baldwin, Munro, Garcia Marquez, Donne, Bishop, Yeats, Komunyakaa, Tretheway, and others. Students will learn the elements of the short story and try their hand at a variety of forms: realist, fantastical, experimental. They’ll also study the basic poetic forms and meters, from the ballad to the sonnet, iambic pentameter to free verse. Students will compose short stories and poems and workshop them in class. This course is a prerequisite for most upper level courses. This course is part one of the year-long Introduction to Fiction and Poetry, and must be taken before AS.220.106.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: MWF 9:00AM - 9:50AM
  • Instructor: Atherton, Chase E
  • Room: Krieger Laverty  
  • Status: Waitlist Only
  • Seats Available: 1/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry I
AS.220.105 (04)

An introduction to basic strategies in the writing of poetry and fiction, with readings by Joyce, Woolf, Baldwin, Munro, Garcia Marquez, Donne, Bishop, Yeats, Komunyakaa, Tretheway, and others. Students will learn the elements of the short story and try their hand at a variety of forms: realist, fantastical, experimental. They’ll also study the basic poetic forms and meters, from the ballad to the sonnet, iambic pentameter to free verse. Students will compose short stories and poems and workshop them in class. This course is a prerequisite for most upper level courses. This course is part one of the year-long Introduction to Fiction and Poetry, and must be taken before AS.220.106.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: TTh 9:00AM - 10:15AM
  • Instructor: Starr, Marlo
  • Room: Smokler Center 213  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry I
AS.220.105 (05)

An introduction to basic strategies in the writing of poetry and fiction, with readings by Joyce, Woolf, Baldwin, Munro, Garcia Marquez, Donne, Bishop, Yeats, Komunyakaa, Tretheway, and others. Students will learn the elements of the short story and try their hand at a variety of forms: realist, fantastical, experimental. They’ll also study the basic poetic forms and meters, from the ballad to the sonnet, iambic pentameter to free verse. Students will compose short stories and poems and workshop them in class. This course is a prerequisite for most upper level courses. This course is part one of the year-long Introduction to Fiction and Poetry, and must be taken before AS.220.106.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: MWF 11:00AM - 11:50AM
  • Instructor: Oathout, Peter Ronald (Phoebe)
  • Room: Smokler Center 213  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry I
AS.220.105 (06)

An introduction to basic strategies in the writing of poetry and fiction, with readings by Joyce, Woolf, Baldwin, Munro, Garcia Marquez, Donne, Bishop, Yeats, Komunyakaa, Tretheway, and others. Students will learn the elements of the short story and try their hand at a variety of forms: realist, fantastical, experimental. They’ll also study the basic poetic forms and meters, from the ballad to the sonnet, iambic pentameter to free verse. Students will compose short stories and poems and workshop them in class. This course is a prerequisite for most upper level courses. This course is part one of the year-long Introduction to Fiction and Poetry, and must be taken before AS.220.106.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: MWF 11:00AM - 11:50AM
  • Instructor: Wray, Caroline C (Caroline)
  • Room: Maryland 217  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry I
AS.220.105 (07)

An introduction to basic strategies in the writing of poetry and fiction, with readings by Joyce, Woolf, Baldwin, Munro, Garcia Marquez, Donne, Bishop, Yeats, Komunyakaa, Tretheway, and others. Students will learn the elements of the short story and try their hand at a variety of forms: realist, fantastical, experimental. They’ll also study the basic poetic forms and meters, from the ballad to the sonnet, iambic pentameter to free verse. Students will compose short stories and poems and workshop them in class. This course is a prerequisite for most upper level courses. This course is part one of the year-long Introduction to Fiction and Poetry, and must be taken before AS.220.106.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: MWF 12:00PM - 12:50PM
  • Instructor: Green, Regan E
  • Room: Hackerman 320  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry I
AS.220.105 (08)

An introduction to basic strategies in the writing of poetry and fiction, with readings by Joyce, Woolf, Baldwin, Munro, Garcia Marquez, Donne, Bishop, Yeats, Komunyakaa, Tretheway, and others. Students will learn the elements of the short story and try their hand at a variety of forms: realist, fantastical, experimental. They’ll also study the basic poetic forms and meters, from the ballad to the sonnet, iambic pentameter to free verse. Students will compose short stories and poems and workshop them in class. This course is a prerequisite for most upper level courses. This course is part one of the year-long Introduction to Fiction and Poetry, and must be taken before AS.220.106.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: MWF 12:00PM - 12:50PM
  • Instructor: Choi, Hye Ji
  • Room: Smokler Center 213  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry I
AS.220.105 (09)

An introduction to basic strategies in the writing of poetry and fiction, with readings by Joyce, Woolf, Baldwin, Munro, Garcia Marquez, Donne, Bishop, Yeats, Komunyakaa, Tretheway, and others. Students will learn the elements of the short story and try their hand at a variety of forms: realist, fantastical, experimental. They’ll also study the basic poetic forms and meters, from the ballad to the sonnet, iambic pentameter to free verse. Students will compose short stories and poems and workshop them in class. This course is a prerequisite for most upper level courses. This course is part one of the year-long Introduction to Fiction and Poetry, and must be taken before AS.220.106.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: TTh 10:30AM - 11:45AM
  • Instructor: Robinson, Megan L
  • Room: Krieger 180  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry I
AS.220.105 (10)

An introduction to basic strategies in the writing of poetry and fiction, with readings by Joyce, Woolf, Baldwin, Munro, Garcia Marquez, Donne, Bishop, Yeats, Komunyakaa, Tretheway, and others. Students will learn the elements of the short story and try their hand at a variety of forms: realist, fantastical, experimental. They’ll also study the basic poetic forms and meters, from the ballad to the sonnet, iambic pentameter to free verse. Students will compose short stories and poems and workshop them in class. This course is a prerequisite for most upper level courses. This course is part one of the year-long Introduction to Fiction and Poetry, and must be taken before AS.220.106.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: TTh 10:30AM - 11:45AM
  • Instructor: Duffy, Daniel J
  • Room: Gilman 277  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry I
AS.220.105 (11)

An introduction to basic strategies in the writing of poetry and fiction, with readings by Joyce, Woolf, Baldwin, Munro, Garcia Marquez, Donne, Bishop, Yeats, Komunyakaa, Tretheway, and others. Students will learn the elements of the short story and try their hand at a variety of forms: realist, fantastical, experimental. They’ll also study the basic poetic forms and meters, from the ballad to the sonnet, iambic pentameter to free verse. Students will compose short stories and poems and workshop them in class. This course is a prerequisite for most upper level courses. This course is part one of the year-long Introduction to Fiction and Poetry, and must be taken before AS.220.106.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: TTh 10:30AM - 11:45AM
  • Instructor: Keleher, Kate L
  • Room: Maryland 104  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry I
AS.220.105 (12)

An introduction to basic strategies in the writing of poetry and fiction, with readings by Joyce, Woolf, Baldwin, Munro, Garcia Marquez, Donne, Bishop, Yeats, Komunyakaa, Tretheway, and others. Students will learn the elements of the short story and try their hand at a variety of forms: realist, fantastical, experimental. They’ll also study the basic poetic forms and meters, from the ballad to the sonnet, iambic pentameter to free verse. Students will compose short stories and poems and workshop them in class. This course is a prerequisite for most upper level courses. This course is part one of the year-long Introduction to Fiction and Poetry, and must be taken before AS.220.106.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: TTh 3:00PM - 4:15PM
  • Instructor: Hubbell, Ralph P
  • Room: Gilman 400  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry I
AS.220.105 (13)

An introduction to basic strategies in the writing of poetry and fiction, with readings by Joyce, Woolf, Baldwin, Munro, Garcia Marquez, Donne, Bishop, Yeats, Komunyakaa, Tretheway, and others. Students will learn the elements of the short story and try their hand at a variety of forms: realist, fantastical, experimental. They’ll also study the basic poetic forms and meters, from the ballad to the sonnet, iambic pentameter to free verse. Students will compose short stories and poems and workshop them in class. This course is a prerequisite for most upper level courses. This course is part one of the year-long Introduction to Fiction and Poetry, and must be taken before AS.220.106.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: TTh 9:00AM - 10:15AM
  • Instructor: Steidle, Brianna Caye
  • Room: Maryland 217  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry I
AS.220.105 (14)

An introduction to basic strategies in the writing of poetry and fiction, with readings by Joyce, Woolf, Baldwin, Munro, Garcia Marquez, Donne, Bishop, Yeats, Komunyakaa, Tretheway, and others. Students will learn the elements of the short story and try their hand at a variety of forms: realist, fantastical, experimental. They’ll also study the basic poetic forms and meters, from the ballad to the sonnet, iambic pentameter to free verse. Students will compose short stories and poems and workshop them in class. This course is a prerequisite for most upper level courses. This course is part one of the year-long Introduction to Fiction and Poetry, and must be taken before AS.220.106.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: TTh 12:00PM - 1:15PM
  • Instructor: Duffy, Daniel J
  • Room: Gilman 277  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry I
AS.220.105 (15)

An introduction to basic strategies in the writing of poetry and fiction, with readings by Joyce, Woolf, Baldwin, Munro, Garcia Marquez, Donne, Bishop, Yeats, Komunyakaa, Tretheway, and others. Students will learn the elements of the short story and try their hand at a variety of forms: realist, fantastical, experimental. They’ll also study the basic poetic forms and meters, from the ballad to the sonnet, iambic pentameter to free verse. Students will compose short stories and poems and workshop them in class. This course is a prerequisite for most upper level courses. This course is part one of the year-long Introduction to Fiction and Poetry, and must be taken before AS.220.106.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: TTh 12:00PM - 1:15PM
  • Instructor: Starr, Marlo
  • Room: Smokler Center 213  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry I
AS.220.105 (16)

An introduction to basic strategies in the writing of poetry and fiction, with readings by Joyce, Woolf, Baldwin, Munro, Garcia Marquez, Donne, Bishop, Yeats, Komunyakaa, Tretheway, and others. Students will learn the elements of the short story and try their hand at a variety of forms: realist, fantastical, experimental. They’ll also study the basic poetic forms and meters, from the ballad to the sonnet, iambic pentameter to free verse. Students will compose short stories and poems and workshop them in class. This course is a prerequisite for most upper level courses. This course is part one of the year-long Introduction to Fiction and Poetry, and must be taken before AS.220.106.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: TTh 12:00PM - 1:15PM
  • Instructor: Cox, Josiah
  • Room: Gilman 217  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry II
AS.220.106 (01)

The second half of IFP, this course delves deeper into the finer points of fiction writing, including tone, description, and point of view; students will also enrich their knowledge of poetic forms and devices, such as figurative language, verse rhythm, and the poetic line. Readings include work by Paley, Mahfouz, Calvino, Lessing, Richard Wright, Plath, Rich, Auden, Li-Young Lee, and others. Students will write and workshop their own stories and poems, and complete a final portfolio. This course is a prerequisite for most upper level courses.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: MWF 10:00AM - 10:50AM
  • Instructor: Kessler, Brett C
  • Room: Gilman 138D  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry II
AS.220.106 (02)

The second half of IFP, this course delves deeper into the finer points of fiction writing, including tone, description, and point of view; students will also enrich their knowledge of poetic forms and devices, such as figurative language, verse rhythm, and the poetic line. Readings include work by Paley, Mahfouz, Calvino, Lessing, Richard Wright, Plath, Rich, Auden, Li-Young Lee, and others. Students will write and workshop their own stories and poems, and complete a final portfolio. This course is a prerequisite for most upper level courses.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: MWF 10:00AM - 10:50AM
  • Instructor: Raszick, Landen Blaine
  • Room: Gilman 79  
  • Status: Open
  • Seats Available: 2/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry II
AS.220.106 (03)

The second half of IFP, this course delves deeper into the finer points of fiction writing, including tone, description, and point of view; students will also enrich their knowledge of poetic forms and devices, such as figurative language, verse rhythm, and the poetic line. Readings include work by Paley, Mahfouz, Calvino, Lessing, Richard Wright, Plath, Rich, Auden, Li-Young Lee, and others. Students will write and workshop their own stories and poems, and complete a final portfolio. This course is a prerequisite for most upper level courses.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: MWF 11:00AM - 11:50AM
  • Instructor: Kessler, Brett C
  • Room: Gilman 138D  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry II
AS.220.106 (04)

The second half of IFP, this course delves deeper into the finer points of fiction writing, including tone, description, and point of view; students will also enrich their knowledge of poetic forms and devices, such as figurative language, verse rhythm, and the poetic line. Readings include work by Paley, Mahfouz, Calvino, Lessing, Richard Wright, Plath, Rich, Auden, Li-Young Lee, and others. Students will write and workshop their own stories and poems, and complete a final portfolio. This course is a prerequisite for most upper level courses.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: MWF 11:00AM - 11:50AM
  • Instructor: Neugebauer, Samantha Elizabeth (Samantha)
  • Room: Gilman 79  
  • Status: Open
  • Seats Available: 10/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry II
AS.220.106 (05)

The second half of IFP, this course delves deeper into the finer points of fiction writing, including tone, description, and point of view; students will also enrich their knowledge of poetic forms and devices, such as figurative language, verse rhythm, and the poetic line. Readings include work by Paley, Mahfouz, Calvino, Lessing, Richard Wright, Plath, Rich, Auden, Li-Young Lee, and others. Students will write and workshop their own stories and poems, and complete a final portfolio. This course is a prerequisite for most upper level courses.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: MWF 12:00PM - 12:50PM
  • Instructor: Hupp, Spencer Martin
  • Room: Gilman 79  
  • Status: Open
  • Seats Available: 1/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry II
AS.220.106 (06)

The second half of IFP, this course delves deeper into the finer points of fiction writing, including tone, description, and point of view; students will also enrich their knowledge of poetic forms and devices, such as figurative language, verse rhythm, and the poetic line. Readings include work by Paley, Mahfouz, Calvino, Lessing, Richard Wright, Plath, Rich, Auden, Li-Young Lee, and others. Students will write and workshop their own stories and poems, and complete a final portfolio. This course is a prerequisite for most upper level courses.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: TTh 10:30AM - 11:45AM
  • Instructor: Fee, Gabriella M (Gabriella)
  • Room: Bloomberg 276  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry II
AS.220.106 (07)

The second half of IFP, this course delves deeper into the finer points of fiction writing, including tone, description, and point of view; students will also enrich their knowledge of poetic forms and devices, such as figurative language, verse rhythm, and the poetic line. Readings include work by Paley, Mahfouz, Calvino, Lessing, Richard Wright, Plath, Rich, Auden, Li-Young Lee, and others. Students will write and workshop their own stories and poems, and complete a final portfolio. This course is a prerequisite for most upper level courses.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: TTh 10:30AM - 11:45AM
  • Instructor: Guida, Dominic Michael (Dom)
  • Room: Bloomberg 172  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry II
AS.220.106 (08)

The second half of IFP, this course delves deeper into the finer points of fiction writing, including tone, description, and point of view; students will also enrich their knowledge of poetic forms and devices, such as figurative language, verse rhythm, and the poetic line. Readings include work by Paley, Mahfouz, Calvino, Lessing, Richard Wright, Plath, Rich, Auden, Li-Young Lee, and others. Students will write and workshop their own stories and poems, and complete a final portfolio. This course is a prerequisite for most upper level courses.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: TTh 9:00AM - 10:15AM
  • Instructor: Emmons, Eric Dayton
  • Room: Maryland 202  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry II
AS.220.106 (09)

The second half of IFP, this course delves deeper into the finer points of fiction writing, including tone, description, and point of view; students will also enrich their knowledge of poetic forms and devices, such as figurative language, verse rhythm, and the poetic line. Readings include work by Paley, Mahfouz, Calvino, Lessing, Richard Wright, Plath, Rich, Auden, Li-Young Lee, and others. Students will write and workshop their own stories and poems, and complete a final portfolio. This course is a prerequisite for most upper level courses.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: TTh 12:00PM - 1:15PM
  • Instructor: Brown, Davien Allen (Dagan)
  • Room: Gilman 79  
  • Status: Open
  • Seats Available: 1/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry II
AS.220.106 (10)

The second half of IFP, this course delves deeper into the finer points of fiction writing, including tone, description, and point of view; students will also enrich their knowledge of poetic forms and devices, such as figurative language, verse rhythm, and the poetic line. Readings include work by Paley, Mahfouz, Calvino, Lessing, Richard Wright, Plath, Rich, Auden, Li-Young Lee, and others. Students will write and workshop their own stories and poems, and complete a final portfolio. This course is a prerequisite for most upper level courses.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: TTh 12:00PM - 1:15PM
  • Instructor: Blansett, Nathan M (Nathan)
  • Room: Maryland 217  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): n/a

Introduction to Fiction & Poetry II
AS.220.106 (11)

The second half of IFP, this course delves deeper into the finer points of fiction writing, including tone, description, and point of view; students will also enrich their knowledge of poetic forms and devices, such as figurative language, verse rhythm, and the poetic line. Readings include work by Paley, Mahfouz, Calvino, Lessing, Richard Wright, Plath, Rich, Auden, Li-Young Lee, and others. Students will write and workshop their own stories and poems, and complete a final portfolio. This course is a prerequisite for most upper level courses.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: TTh 3:00PM - 4:15PM
  • Instructor: Blansett, Nathan M (Nathan)
  • Room: Smokler Center Library  
  • Status: Open
  • Seats Available: 1/15
  • PosTag(s): n/a

The Craft of Fiction: Conflict and Dramatic Tension
AS.220.200 (01)

“[I]n literature, only trouble is interesting,” Janet Burroway says in Writing Fiction. Conflict is often referred to as the heart or the engine of a story: in this workshop-centered course, we’ll investigate conflict within short fiction, giving attention to all its related components, such as narrative structure, pacing, character development, and dialogue. Both in workshop and in our weekly discussions of assigned readings, we’ll always return to the question of how a story provokes readers’ sense of anticipation and keeps readers engaged. This course builds upon the material covered in the Introduction to Fiction and Poetry course sequence and will prepare students for further study at the Intermediate and Advanced levels. Course readings include diverse and contemporary authors such as Han Kang, Z.Z. Packer, Carmen Maria Machado, Haruki Murakami, George Saunders, and Curtis Sittenfeld.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: TTh 10:30AM - 11:45AM
  • Instructor: Robinson, Shannon L
  • Room: Maryland 309  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): WRIT-FICT

The Craft of Fiction: Narrative Perch
AS.220.200 (02)

Writing your way into a story is often a matter of finding the right perch—figuring out the point from which the story is told. In this workshop-centered course, students will explore elements of perch such as point of view, audience, tone, authorial distance, tense, and voice. Readings from writers including Ayad Akhtar, Curtis Sittenfeld, Jamel Brinkley, Jenny Zhang, Justin Torres, Lucia Berlin, Tommy Orange, and Weike Wang will inform our discussions of perch and inspire short exercises in and out of class. Students will write, workshop, and revise two original stories. This course builds upon the ideas and themes covered in Introduction to Fiction and Poetry I and II, and will prepare students for upper-level fiction courses.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: F 3:00PM - 5:30PM
  • Instructor: Keleher, Kate L
  • Room: Gilman 381  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): WRIT-FICT

The Craft of Poetry: Wit and Delivery
AS.220.201 (01)

In Wit and Delivery, we will look at historical and contemporary poetic models with a particular eye and ear toward what makes really memorable, trenchant lines. You will have eleven assignments with specific examples to work from that get more challenging as the semester progresses.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: W 3:00PM - 5:30PM
  • Instructor: Williamson, Greg W (Greg)
  • Room: Maryland 202  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): WRIT-POET

The Craft of Poetry: The Art of Making
AS.220.201 (02)

Every art form has a distinct medium—In this class, we’ll look at how the techniques involved in making a poem resemble (or differ from) techniques used in other artistic disciplines such as dance, architecture, film, photography, music, collage, pottery, etc. Additionally, we’ll read and discuss poems which take these other art-forms as their subjects: for example, ekphrastic poems. Students will write and workshop their own poems on a weekly basis, and over the course of the semester try to arrive at personal answers to the questions: What is the purpose of art-making? Why should I make anything at all?

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: M 3:00PM - 5:30PM
  • Instructor: Robinson, Megan L
  • Room: Krieger 180  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): WRIT-POET

Reading Korean Literature in Translation: A Survey
AS.220.220 (01)

An introduction for students unfamiliar with the Korean language but interested in Korean culture / literature. Students will read a variety of translated texts, especially of works written in the 20th and early 21st centuries by authors including Kim Tong-in, Hwang Sun-wŏn, Pak Wansŏ, Hwang Sŏk-yŏng and Han Kang; there will also be classes on traditional sijo poetry. Students will become familiar with Korean literary genres and formal features, and develop a broad understanding of the historical and sociocultural context of Korean literature.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: W 1:30PM - 4:00PM
  • Instructor: Kim, Kyeong-soo
  • Room: Latrobe 120  
  • Status: Open
  • Seats Available: 1/15
  • PosTag(s): WRIT-FICT

Art of the Personal Essay
AS.220.231 (01)

This course explores the art and craft of the personal essay from Seneca to Soyinka, Montaigne to Adichie. Deriving from the French essai, to attempt, students bring a sense of investigation, as natural philosophers proposed, to the characteristics, presence, or quality of an idea. Through personal narrative exploration, essayists write on universal themes -- family, loss, social justice -- through various nonfiction essay forms, such as the braided essay, lyric essay, science essay, or humor essay. Students will employ research, convey personal experience, and develop their own voice and style. Course builds on material covered in Introduction to Fiction & Poetry courses and/or Introduction to Fiction & Nonfiction, and will prepare students for Advanced study. This readings-based course is also writing-intensive, including exercises, essay drafts, and revisions. Course features additional diverse authors such as Sei Shonagon, Sara Suleri, James Baldwin, Richard Rodriguez, Brian Doyle, and Ta-Nehisi Coates.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: T 5:30PM - 8:00PM
  • Instructor: Cavanaugh-Simpson, Joanne
  • Room: Gilman 138D  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): n/a

Intermediate Fiction: Crafting Memorable Voices
AS.220.319 (01)

When we recall our favorite works of fiction, it is often their voice that first comes to mind. This course will explore how narrators enchant us with their voice, focusing on such matters as perspective, syntax, word choice and how even deceptively impartial omniscience takes on a unique and memorable voice. Fiction readings to include: Paul Bowles, Toni Cade Bambara and Ismail Kadare. Craft readings to include: Christopher Castellani and John Gardner. Writing assignments will be both expository and creative.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: M 3:00PM - 5:30PM
  • Instructor: Hubbell, Ralph P
  • Room: Maryland 202  
  • Status: Open
  • Seats Available: 2/15
  • PosTag(s): WRIT-FICT

Contemporary Poetic Forms
AS.220.378 (01)

In Contemporary Poetic Forms, we will look at exciting, mostly younger poets writing in a wide array of metrical forms. From Anthony Hecht to Erica Dawson, you will read a book a week and write eleven poems, and the assignments will be keyed but not beholden to those challenging authors.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: Th 1:30PM - 4:00PM
  • Instructor: Williamson, Greg W (Greg)
  • Room: Gilman 79  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): WRIT-POET

Advanced Poetry Workshop: Who Am I? Identity in Contemporary American Poetry
AS.220.400 (01)

The course will Workshop the original work of participants, while also looking at a wide range of contemporary American poets and examining the ways they address themes of personal, racial and cultural identity against the backdrop of contemporary politics. Among the writers to be discussed are: Natalie Diaz, Terrence Hayes, Cathy Park Hong, Charles Simic, and Claudia Rankine.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: M 1:30PM - 4:00PM
  • Instructor: Motion, Andrew P
  • Room: Krieger 170  
  • Status: Open
  • Seats Available: 4/15
  • PosTag(s): WRIT-POET

Advanced Fiction Workshop: Balancing a World
AS.220.401 (01)

Whether you write a short short story or an immense novel, fiction is largely a process of omission: What do you leave out? Successful fiction is typically a matter of balancing a world—selecting a few choice details to represent the world at large. How does a writer select these? What strategies can be used to reflect the complexities of a writer’s life? These are questions we will address in this class. Although most of our time will be devoted to workshopping student stories, outside readings to include: Rudyard Kipling, Vladimir Nabokov, Alice Munro.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: W 1:30PM - 4:00PM
  • Instructor: Leithauser, Brad
  • Room: Gilman 79  
  • Status: Open
  • Seats Available: 12/15
  • PosTag(s): WRIT-FICT

Advanced Fiction Workshop: The Sentence
AS.220.401 (02)

In this capstone course in writing fiction, students will workshop three stories, paying particular attention to honing their sentences, listening to their sonics, and revising in order to sharpen and define that ineffable thing we call “voice.” While the course will be focused on student writing, we’ll also read and discuss stories by James Salter, Jenny Zhang, Edward P. Jones, Desiree C. Bailey, Alice Munro and others, looking and listening at each author’s syntax as it relates to the construction of each writer’s distinct literary voice. Completion of Intermediate Fiction is required for admission.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: Th 1:30PM - 4:00PM
  • Instructor: Brown, Nathanael A (Nate)
  • Room: Gilman 277  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): WRIT-FICT

Readings in Fiction: Optimistic Apocalypse
AS.220.420 (01)

Contemporary literary depictions of apocalypse often offer up a world that’s been transformed (rather than annihilated) by climate change, disease, and war. In this course, students will explore comparatively optimistic literary dystopias with an eye toward understanding how writers observe and extrapolate real dangers to inform their novels and stories. We’ll read one classic dystopian work alongside newer stories and novels by Kazuo Ishiguro, Lauren Groff, Colson Whitehead, Rumaan Alam, Emily St. John Mandel, Ted Chiang, Ling Ma, Laura van den Berg, and more. Students will write short creative and critical responses to our readings as well as a final comparative paper.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: F 1:30PM - 4:00PM
  • Instructor: Brown, Nathanael A (Nate)
  • Room: Gilman 138D  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): WRIT-FICT

Science as Narrative
AS.220.424 (01)

Class reads the writings of scientists to explore what their words would have meant to them and their readers. Discussion will focus on the shifting scientific/cultural context throughout history. Authors include Aristotle, Copernicus, Galileo, Descartes, Newton, Darwin, Freud, Einstein, Heisenberg, Bohr, Crick and Watson.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: T 1:30PM - 4:00PM
  • Instructor: Panek, Richard (Richard)
  • Room:    
  • Status: Open
  • Seats Available: 5/15
  • PosTag(s): n/a

Readings in Poetry: International Voices
AS.220.443 (01)

International voices will combine the workshopping of poems by students with a study of contemporary poems written by black British writers and British writers in dialect, African-American writers, Caribbean writers, and Indian and South African poets who are writing in English. The study of broad themes and subjects will be combined with a particular appreciation of linguistic and acoustic matters - which means among other things that time will be spent listening to and evaluating recordings of the poets concerned. Writing Seminars Majors Only

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: T 1:30PM - 4:00PM
  • Instructor: Motion, Andrew P
  • Room: Gilman 79  
  • Status: Open
  • Seats Available: 5/15
  • PosTag(s): WRIT-POET

Community-Based Learning: Nonfiction and Social Engagement
AS.220.460 (01)

In this Community-Based Learning course, students will read and write memoir and discuss issues of social concern with high-school age writers from Baltimore public schools in partnership with the organization Writers in Baltimore Schools Please note that this class is not a traditional workshop focusing on critique, but will instead explore how writing can build connection, foster conversation, and bring together writers from diverse communities.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: M 4:00PM - 6:30PM
  • Instructor: Noel, Katharine
  • Room: Gilman 313  
  • Status: Open
  • Seats Available: 6/12
  • PosTag(s): CSC-CE

21st Century Female Playwrights
AS.225.318 (01)

This is a writing intensive class exploring the current wealth of women playwrights, including Pulitzer Prize winners: Wendy Wasserstein, Paula Vogel, Lynn Nottage, and Jackie Sibblies Drury (2019 Prize for FAIRVIEW). We will discuss Script Analysis and read (and see) plays by numerous writers including Claire Barron, Kia Corthron, Theresa Rebeck, Sarah Ruhl, Danai Gurira, Caleen Sinnette Jennings, and Hansol Jung. This class will include a mid-term and a Final Paper.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: TTh 4:30PM - 5:45PM
  • Instructor: Denithorne, Margaret (Margaret)
  • Room: Merrick 105  
  • Status: Waitlist Only
  • Seats Available: 1/14
  • PosTag(s): n/a

Adaptation for the Stage
AS.225.324 (01)

For aspiring playwrights, dramaturgs, and literary translators, this course is a workshop opportunity in learning to adapt both dramatic and non-dramatic works into fresh versions for the stage. Students with ability in foreign languages and literatures are encouraged to explore translation of drama as well as adaptation of foreign language fiction in English. Fiction, classical dramas, folk and fairy tales, independent interviews, or versions of plays from foreign languages are covered.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: W 3:00PM - 5:30PM
  • Instructor: Martin, Joseph H (Joe)
  • Room:    
  • Status: Open
  • Seats Available: 6/10
  • PosTag(s): n/a

Course # (Section) Title Day/Times Instructor Room PosTag(s) Info
AS.061.147 (01)Visual StorytellingT 3:00PM - 5:30PM, M 7:30PM - 10:00PM ScreeningsBucknell, LucyGreenhouse 113
Gilman 55
FILM-SCRWRT
AS.061.205 (01)Introduction to ScreenwritingTh 2:00PM - 5:00PMRodgers, Adam FThe Centre 206
 
FILM-SCRWRT
AS.061.271 (01)Intermediality: Between Word, Image, and SoundTTh 10:30AM - 11:45AMStine, Kyle J.Smokler Center 213
 
FILM-CRITST
AS.061.303 (01)Podcasting: Critical and Creative PracticeM 10:00AM - 12:30PMStine, Kyle J.The Centre 206
 
FILM-CRITST
AS.211.444 (01)The Apocalypse in Literature and FilmTTh 12:00PM - 1:15PMStahl, Neta (Neta)Krieger 302
 
AS.216.342 (01)The Holocaust in Israeli Society and CultureTTh 10:30AM - 11:45AMStahl, Neta (Neta) 
 
MLL-ENGL, INST-CP
AS.220.105 (01)Introduction to Fiction & Poetry IMWF 10:00AM - 10:50AMCook, Melissa LynnAmes 320
 
AS.220.105 (02)Introduction to Fiction & Poetry IMWF 10:00AM - 10:50AMGathright, KathleenKrieger 308
 
AS.220.105 (03)Introduction to Fiction & Poetry IMWF 9:00AM - 9:50AMAtherton, Chase EKrieger Laverty
 
AS.220.105 (04)Introduction to Fiction & Poetry ITTh 9:00AM - 10:15AMStarr, MarloSmokler Center 213
 
AS.220.105 (05)Introduction to Fiction & Poetry IMWF 11:00AM - 11:50AMOathout, Peter Ronald (Phoebe)Smokler Center 213
 
AS.220.105 (06)Introduction to Fiction & Poetry IMWF 11:00AM - 11:50AMWray, Caroline C (Caroline)Maryland 217
 
AS.220.105 (07)Introduction to Fiction & Poetry IMWF 12:00PM - 12:50PMGreen, Regan EHackerman 320
 
AS.220.105 (08)Introduction to Fiction & Poetry IMWF 12:00PM - 12:50PMChoi, Hye JiSmokler Center 213
 
AS.220.105 (09)Introduction to Fiction & Poetry ITTh 10:30AM - 11:45AMRobinson, Megan LKrieger 180
 
AS.220.105 (10)Introduction to Fiction & Poetry ITTh 10:30AM - 11:45AMDuffy, Daniel JGilman 277
 
AS.220.105 (11)Introduction to Fiction & Poetry ITTh 10:30AM - 11:45AMKeleher, Kate LMaryland 104
 
AS.220.105 (12)Introduction to Fiction & Poetry ITTh 3:00PM - 4:15PMHubbell, Ralph PGilman 400
 
AS.220.105 (13)Introduction to Fiction & Poetry ITTh 9:00AM - 10:15AMSteidle, Brianna CayeMaryland 217
 
AS.220.105 (14)Introduction to Fiction & Poetry ITTh 12:00PM - 1:15PMDuffy, Daniel JGilman 277
 
AS.220.105 (15)Introduction to Fiction & Poetry ITTh 12:00PM - 1:15PMStarr, MarloSmokler Center 213
 
AS.220.105 (16)Introduction to Fiction & Poetry ITTh 12:00PM - 1:15PMCox, JosiahGilman 217
 
AS.220.106 (01)Introduction to Fiction & Poetry IIMWF 10:00AM - 10:50AMKessler, Brett CGilman 138D
 
AS.220.106 (02)Introduction to Fiction & Poetry IIMWF 10:00AM - 10:50AMRaszick, Landen BlaineGilman 79
 
AS.220.106 (03)Introduction to Fiction & Poetry IIMWF 11:00AM - 11:50AMKessler, Brett CGilman 138D
 
AS.220.106 (04)Introduction to Fiction & Poetry IIMWF 11:00AM - 11:50AMNeugebauer, Samantha Elizabeth (Samantha)Gilman 79
 
AS.220.106 (05)Introduction to Fiction & Poetry IIMWF 12:00PM - 12:50PMHupp, Spencer MartinGilman 79
 
AS.220.106 (06)Introduction to Fiction & Poetry IITTh 10:30AM - 11:45AMFee, Gabriella M (Gabriella)Bloomberg 276
 
AS.220.106 (07)Introduction to Fiction & Poetry IITTh 10:30AM - 11:45AMGuida, Dominic Michael (Dom)Bloomberg 172
 
AS.220.106 (08)Introduction to Fiction & Poetry IITTh 9:00AM - 10:15AMEmmons, Eric DaytonMaryland 202
 
AS.220.106 (09)Introduction to Fiction & Poetry IITTh 12:00PM - 1:15PMBrown, Davien Allen (Dagan)Gilman 79
 
AS.220.106 (10)Introduction to Fiction & Poetry IITTh 12:00PM - 1:15PMBlansett, Nathan M (Nathan)Maryland 217
 
AS.220.106 (11)Introduction to Fiction & Poetry IITTh 3:00PM - 4:15PMBlansett, Nathan M (Nathan)Smokler Center Library
 
AS.220.200 (01)The Craft of Fiction: Conflict and Dramatic TensionTTh 10:30AM - 11:45AMRobinson, Shannon LMaryland 309
 
WRIT-FICT
AS.220.200 (02)The Craft of Fiction: Narrative PerchF 3:00PM - 5:30PMKeleher, Kate LGilman 381
 
WRIT-FICT
AS.220.201 (01)The Craft of Poetry: Wit and DeliveryW 3:00PM - 5:30PMWilliamson, Greg W (Greg)Maryland 202
 
WRIT-POET
AS.220.201 (02)The Craft of Poetry: The Art of MakingM 3:00PM - 5:30PMRobinson, Megan LKrieger 180
 
WRIT-POET
AS.220.220 (01)Reading Korean Literature in Translation: A SurveyW 1:30PM - 4:00PMKim, Kyeong-sooLatrobe 120
 
WRIT-FICT
AS.220.231 (01)Art of the Personal EssayT 5:30PM - 8:00PMCavanaugh-Simpson, JoanneGilman 138D
 
AS.220.319 (01)Intermediate Fiction: Crafting Memorable VoicesM 3:00PM - 5:30PMHubbell, Ralph PMaryland 202
 
WRIT-FICT
AS.220.378 (01)Contemporary Poetic FormsTh 1:30PM - 4:00PMWilliamson, Greg W (Greg)Gilman 79
 
WRIT-POET
AS.220.400 (01)Advanced Poetry Workshop: Who Am I? Identity in Contemporary American PoetryM 1:30PM - 4:00PMMotion, Andrew PKrieger 170
 
WRIT-POET
AS.220.401 (01)Advanced Fiction Workshop: Balancing a WorldW 1:30PM - 4:00PMLeithauser, BradGilman 79
 
WRIT-FICT
AS.220.401 (02)Advanced Fiction Workshop: The SentenceTh 1:30PM - 4:00PMBrown, Nathanael A (Nate)Gilman 277
 
WRIT-FICT
AS.220.420 (01)Readings in Fiction: Optimistic ApocalypseF 1:30PM - 4:00PMBrown, Nathanael A (Nate)Gilman 138D
 
WRIT-FICT
AS.220.424 (01)Science as NarrativeT 1:30PM - 4:00PMPanek, Richard (Richard) 
 
AS.220.443 (01)Readings in Poetry: International VoicesT 1:30PM - 4:00PMMotion, Andrew PGilman 79
 
WRIT-POET
AS.220.460 (01)Community-Based Learning: Nonfiction and Social EngagementM 4:00PM - 6:30PMNoel, KatharineGilman 313
 
CSC-CE
AS.225.318 (01)21st Century Female PlaywrightsTTh 4:30PM - 5:45PMDenithorne, Margaret (Margaret)Merrick 105
 
AS.225.324 (01)Adaptation for the StageW 3:00PM - 5:30PMMartin, Joseph H (Joe)